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Beating Heart, Dancing Feet
The Evening Light Against the Pines
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1 Made both special and acute, flagged by the rotation of the earth on its axis, the evening light falls in late spring with a strong and unmasked clarity which seems to break against the pines and reveal them in a strictly vertical candor showing their trunks and crown ratios and the reach of their branches in an intimate way much the same as the reach of a woman pouring coffee in a restaurant or the breast of a man pausing on a gym floorsweating and unaware of the opportunity being seized to inspect his well-lit presence. Each year I find I meet these days with more excitement. I revel, decidedly not in my accumulation of memory but in my appreciation of the beauty of spring and the coming of summer. I have grown to love blue sky and to stand bare-chested in the yard in June, seeing the flowers arrivemy children dispelled upon the swings as I acknowledge my practice to see this acute and special light. It arrives and aggressively takes the pines each evening the sky is warm and the wind is blue. 2 These are inchoate descriptions that reference a memory while driving home the country road through an intense, natural beauty that appears suddenly, a certain time of year, a certain time of day when the air mass is correct and I have chosen any of two dozen reasons to leave work inadvertently and then catch this mannerism of spring and its light at this hour: unsettling manifestation. The actual is suddenly now so real that we inspect it for clues; we get attentive; we notice our occlusion and it absorbs us, sucking us up in different ways. I look at the trees and see the same enigma that dispels your doubts and fears. You see the same light. You see similar trees and the spirit hides and shows itself alternately. The light recedes. The flowers arrive as simple gifts. Each opportunity presents itself as some thing to be seized. We spend our intimate excitement and go on from there, shimmering as we leave it, barely able to stay our trembling, illumined shapes. for Sherod Santos back | ToC | next
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